Mysterious Cities of Gold (TV Series, DiC Entertainment and Studio Pierrot 1983)
What it’s about:
The year is 1532 and we are in the midst of the golden age
of exploration, or to put it another way, the first period of European
colonialist expansion. In the midst of
the Spanish conquest of continental South America three children and three
adults set out to find El Dorado, the Mysterious Cities of Gold in the heart of
the Amazon rainforest. They are
constantly pursued by Spanish conquistadors, who are also looking for the
titular Cities of Gold and get into various adventures along the way.
Why It’s Good:
Out of the various feature length cartoons I have talked
about and will talk about in this series on this blog this is probably my all
time favourite. I have fond memories of
watching this on BBC children’s television when I was a kid myself. The way they had a “previously on” and “next
week on” at the beginning and end of every episode meant that essentially you
got to see everything three times so the complicated episodic plot was relatively
easy to follow for me even at that young age.
Then I read about it as a teen and was pleased to find that this old
favourite was regarded among Animé fans as a classic and although I couldn’t
see it at the time. Then years later
when it was finally released in on DVD 2007/8 after protracted wrangling over
the copyright I bought it, watched it again and marvelled at how good it
actually was.
In the middle of quite a pumpin’ wee adventure story there
are skilfully inserted elements of science fiction (it’s never stated overtly
but the advanced technology of the inhabitants of the Cities of Gold at the end
of the series include nuclear fission) and historic fiction (real world
historic characters are part of the plot and are presented in a way that is easy
to understand and gives you some insight into the era). Also, the little 4 minute mini-documentaries
at the end of each episode where the factual real-world elements are explained
are very well done and informative.
The animation was ground-breaking at the time and still
stands up as a product of the two best cultures as far as animation and
sequential art go both then and now, Japan and France. The music all the way through is pretty immense,
the theme music is catchy enough that it’s indelibly lodged in the back of my
consciousness as a bridge to that time in my youth, as I'm sure it is many other peoples. All together, it’s just a nicely done bit of
work.
What the young ’uns will hopefully take from it:
Mendoza, brilliantly morally ambiguous |
Well, here’s where it gets interesting. This is pure “baby’s first anti-imperialism”. Rather than glorifying the conquest of the
new world, as some children’s adventure fiction set in that time will do, the
whole process is depicted as a rapacious land grab, a scramble for resources
and specifically gold. The fate of the
Incan and Mayans is presented as tragic.
The three children, who are the unambiguous heros of the story, are all
native Americans. The white European characters
are all either evil and motivated purely by greed (the conquistador characters)
or stupid (Sancho and Pedro, the protagonists comedy sidekicks) and even
Mendoza, the children’s adult protector is at best an anti-hero, a rouge who is
depicted as being on the children’s side out of enlightened self interest and
only comes out as unambiguously heroic in the last couple of episodes. This is powerful stuff and alongside the
factual elements of the story make for quite an education as to what the
conquest of the new world actually was.
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